Analysis of the phenomenological and semiological aspects in Parametric-Algorithmic Architecture
DOI:
https://doi.org/10.37636/recit.v423557Keywords:
Computational Architecture, Phenomenology, Semiology, Design Process, Parametric-Algorithmic ArchitectureAbstract
This article makes an analysis of the phenomenological and semiological aspects inherent in computational architecture. It develops a descriptive and comparative study of the phenomenological and semiological aspects in the architectural design methodology, through the theories of the main referent architects on this topic. Analyze the implementation of these aspects in the Parametric-Algorithmic Architecture (PAA). Finally, it proposes a methodological diagram with its implementation. This study distinguishes qualities of greater compatibility than friction in the aspects analyzed. It exemplifies through the architectural products of Kengo Kuma and the avant-garde manifestations of computational design called Discretism, a latent affinity between these approaches. The proposed methodology shows algorithmic tools to generate similar productions through the visual programming environment called Grasshopper.
Downloads
Metrics
References
K. C. Bloomer y C. W. Moore, Cuerpo, memoria y arquitectura: introducción al diseño arquitectónico. Madrid: Hermann Blume, 1983.
C. Norberg-Schulz y C. N.- Schulz, Existence, space & architecture. London: Studio Vista, 1971.
C. Norberg-Schulz y A. Bonanno, Arquitectura occidental: la arquitectura como historia de formas significativas. Barcelona; México [D.F.: Gustavo Gili, 1999.
P. Zumthor, Atmosferas: entornos arquitectónicos : las cosas a mi alrededor. Barcelona: Gustavo Gili, 2011.
P. Zumthor, Pensar la arquitectura. Barcelona: Gustavo Gili, 2016.
J. M. Montaner, La condición contemporánea de la arquitectura. Barcelona: GG, 2015.
P. Eisenman, Diez edificios canónicos 1950-2000. Barcelona: Gustavo Gili, 2011.
M. Carpo, The second digital turn: design beyond intelligence. Cambridge, Massachusetts: The MIT Press, 2017. DOI: https://doi.org/10.7551/mitpress/9976.001.0001
G. Retsin, «Discrete Architecture in the Age of Automation», Archit. Des., vol. 89, n.o 2, pp. 6-13, mar. 2019, doi: 10.1002/ad.2406. DOI: https://doi.org/10.1002/ad.2406
K. Kuma y H. Watanabe, Anti-object: the dissolution and disintegration of architecture, Repr. London: Architectural Association Publ, 2010.
A. Tedeschi, AAD - Algorithms-Aided Design: parametric strategies using Grasshopper, First edition. Brienza: Le Penseur publisher, 2014.
M. M. Stadler, «¿Qué es la topología?», Sigma Rev. Matemáticas Mat. Aldizkaria, n.o 20, pp. 63-77, 2002, Accedido: mar. 05, 2020. [En línea]. Disponible en: https://dialnet.unirioja.es/servlet/articulo?codigo=803774.
G. Scott, La arquitectura del humanismo: un estudio sobre la historia del gusto. Barral, 1970.
P. Zumthor, «Pabellón Swiss Sound - Ficha, Fotos y Planos», WikiArquitectura, 2000. https://es.wikiarquitectura.com/edificio/pabellon-swiss-sound/ (accedido jun. 02, 2020).
G. Deleuze y F. Guattari, Mil mesetas: capitalismo y esquizofrenia, 5. ed. Valencia: Pre-Textos, 2002.
G. Deleuze y F. Guattari, El anti-edipo: capitalismo y esquizofrenia. Barcelona: Paidós, 2017.
M. Carpo, The alphabet and the algorithm. Cambridge, Mass: MIT Press, 2011.
M. Carpo, «Particlised: Computational Discretism, or The Rise of the Digital Discrete», Archit. Des., vol. 89, n.o 2, pp. 86-93, mar. 2019, doi: 10.1002/ad.2416. DOI: https://doi.org/10.1002/ad.2416
J. Pallasmaa, Los ojos de la piel: la arquitectura y los sentidos, 2. ed. Barcelona: Gustavo Gili, 2014.
M. Linder, M. Claypool, M. Jimenez Garcia, G. Retsin, V. Soler, y Institut für Internationale Architektur-Dokumentation, Robotic building: architecture in the age of automation. 2019. DOI: https://doi.org/10.11129/9783955534257-002
J. Sanchez, Architecture for the commons. New York: Routledge, 2020. DOI: https://doi.org/10.4324/9780429432118
K. Kuma, «kengo-kuma-CLT-park-harumi-tokyo-japan-designboom-05.jpg (818×1226)», 2019. https://static.designboom.com/wp-content/uploads/2020/11/kengo-kuma-CLT-park-harumi-tokyo-japan-designboom-05.jpg (accedido ene. 08, 2021).
K. Kuma, «Yure_Kengo-Kuma_The-Galerie-Philippe-Gravier_dezeen_936_11.jpg (936×624)», 2015. https://static.dezeen.com/uploads/2015/10/Yure_Kengo-Kuma_The-Galerie-Philippe-Gravier_dezeen_936_11.jpg (accedido abr. 07, 2021).
K. Terzidis, Algorithmic architecture, 1st ed. Amsterdam ; Boston: Architectural Press, 2006. DOI: https://doi.org/10.4324/9780080461298
P. Schumacher, The autopoiesis of architecture. Vol. 1: A new framework for architecture. Chichester: Wiley, 2011.
P. Schumacher, The autopoiesis of architecture. Vol. 2: A new agenda for architecture. Chichester: Wiley, 2012.
P. Morel, «The Origins of Discretism: Thinking Unthinkable Architecture», Archit. Des., vol. 89, n.o 2, pp. 14-21, mar. 2019, doi: 10.1002/ad.2407. DOI: https://doi.org/10.1002/ad.2407
J. Sanchez, «Architecture for the Commons: Participatory Systems in the Age of Platforms», Archit. Des., vol. 89, n.o 2, pp. 22-29, mar. 2019, doi: 10.1002/ad.2408. DOI: https://doi.org/10.1002/ad.2408
G. Retsin, «Tallinn Architecture Biennale Pavilion - www.retsin.org», gilles retsin, 2017. https://www.retsin.org/Tallinn-Architecture-Biennale-Pavilion (accedido abr. 27, 2020).
J. Sanchez, «Combinatorial Nest for Tallin Pavilion Program, Tallin Architecture Biennale 2019», Plethora Project, 2019. https://www.plethora-project.com/combinatorial-nest (accedido may 10, 2020).
J. Sanchez y A. Andrasek, «Bloom», Plethora Project, 2012. https://www.plethora-project.com/bloom (accedido abr. 07, 2021).
I. Anton y D. Tănase, «Informed Geometries. Parametric Modelling and Energy Analysis in Early Stages of Design», Energy Procedia, vol. 85, pp. 9-16, ene. 2016, doi: 10.1016/j.egypro.2015.12.269. DOI: https://doi.org/10.1016/j.egypro.2015.12.269
J. Krauel, Arquitectura digital: innovación y diseño. Barcelona: Links, 2011.
Published
How to Cite
Issue
Section
Categories
License
Copyright (c) 2021 Aarón Tadeo Onchi Rascón, Alejandro José Peimbert Duarte, Jesús Antonio Ley Guing
This work is licensed under a Creative Commons Attribution 4.0 International License.
The authors who publish in this journal accept the following conditions:
The authors retain the copyright and assign to the journal the right of the first publication, with the work registered with the Creative Commons Attribution license 4.0, which allows third parties to use what is published as long as they mention the authorship of the work and the first publication in this magazine.
Authors may make other independent and additional contractual agreements for the non-exclusive distribution of the version of the article published in this journal (eg, include it in an institutional repository or publish it in a book) as long as they clearly indicate that the work it was first published in this magazine.
Authors are allowed and encouraged to share their work online (for example: in institutional repositories or personal web pages) before and during the manuscript submission process, as it can lead to productive exchanges, greater and more quick citation of published work (see The Effect of Open Access).
